Hindustani Music: Arun Ramamurthi • Nirmal Narayan • Vivek Chellappa

Violinist and composer Arun Ramamurthi brings a unique perspective to Indian classical music, rooted originally in south Indian (Carnatic) violin but fluent in both that tradition and north Indian (Hindustani) settings. He has performed internationally, leads innovative ensembles, and merges rigorous classical technique with improvisational breadth.
Percussionist Nirmal Narayan, a disciple of the eminent mridangam maestro Umayalpuram K. Sivaraman, is recognized for his virtuosity in rhythmic accompaniment—and his deep commitment to the classical idiom of Indian rhythm.
Together with Vivek Chellappa (on a supporting instrument such as tabla, harmonium or melodic accompaniment), this trio presents a concert of Hindustani-inspired classical music that both honours tradition and invites expansive listening.

Expect a program structured around classical ragas—beginning with extended melodic development (alap), moving into rhythmic composition (gat) and culminating in energetic improvisation and interplay among violin, percussion and melodic support. The performance will invite listeners into the subtle world of Indian classical music: micro-tonal inflections, shifting moods, spontaneous responses between players, and a sustained sense of focus and presence.
Although steeped in tradition, the artists’ collective experience and cross-training suggest moments of creative openness—so while deeply respectful of the classical forms, the evening also offers space for expressive dialogue, dynamic interplay and moments of real-time inspiration.

The atmosphere of the concert is thoughtful and immersive: seating that invites attentive listening, a sound space rich in tone and resonance, and a journey that calls for both patience and presence. For audiences new to Indian classical music, the experience opens the door to a sound world that moves slowly into deep unfoldings; for experienced listeners, there is the craft of improvisation, granular rhythm, sophisticated interplay and the poetry of the raga-cycle brought to life.